{"title":"CONSTRUCTED IN CLAY: Form and Structure","description":"","products":[{"product_id":"night","title":"Night","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGlazed stoneware ceramic. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThese wall mounted stoneware paintings follow on from my ‘Stone’ series of smooth, thrown hollow forms. I was looking to put a bit more gesture and expression into my throwing style and to disrupt that perfect symmetry - a re-visit to my earlier practice as a painter. The glazes are painted on - usually a bad idea! -but I was hoping the kiln would give me unexpected melts and contaminations. The results have a kind of elemental, cosmic appearance, either interstellar or microbial in nature.\u003c\/p\u003e","brand":"NICOLA TASSIE","offers":[{"title":"Default Title","offer_id":50941686055221,"sku":null,"price":2600.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/Night_1_1_1_2.jpg?v=1747998735"},{"product_id":"fire","title":"Fire","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGlazed stoneware ceramic. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThese wall mounted stoneware painting follow on from my ‘Stone’ series of smooth, thrown hollow forms. I was looking to put a bit more gesture and expression into my throwing style and to disrupt that perfect symmetry - a re-visit to my earlier practice as a painter. The glazes are painted on. I was hoping the kiln would give me unexpected melts and contaminations. The results have a kind of elemental, cosmic appearance, either interstellar or microbial in nature.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NICOLA TASSIE","offers":[{"title":"Default Title","offer_id":50941714465077,"sku":null,"price":2600.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/3._Fire_Dia.29_x_D.6cm_1.jpg?v=1747998466"},{"product_id":"alone-together-2","title":"Alone Together No. 2","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKaryn Gabriel’s works explore the elemental structures underlying both craft and architecture, translating forms rooted in basketry, textile, and architectural frameworks into contemporary ceramic sculpture. By paring back shapes to their essence, Gabriel exposes the skeletal logic of structure; columns, supports, and grids, while allowing surfaces and patterns to shift, fragment, and evolve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHer work explores the dialogue between containment and openness. The forms feel both solid and porous, revealing their internal scaffolding and celebrating the underlying patterns and structures that often go unnoticed beneath the surface. Repetition and methodical sequencing create rhythm and coherence, echoing architectural and craft practices and creating a rich complexity in the simplest of forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClay’s responsiveness amplifies this interplay, recording gesture and guiding form, balancing permanence with fragility. Through this process, Gabriel illuminates the connective tissue between structure, pattern, and space, offering a contemplative reflection on how we inhabit, construct, and perceive both built and natural worlds.\u003c\/span\u003e\u003c\/p\u003e","brand":"KARYN GABRIEL","offers":[{"title":"Default Title","offer_id":51425647460661,"sku":null,"price":4000.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/AloneTogetherNo.2_2_84bef690-fd1e-4d8a-8e8e-d55c2d81812a.jpg?v=1761071210"},{"product_id":"single-composite-stacked-form","title":"Single Composite Stacked Form","description":"\u003cp\u003eBruce Cochrane’s recent sculptural works have emerged from a lifelong dialogue with form, structure, and process. Drawing on a deep understanding of pottery’s anatomy, Cochrane deconstructs traditional forms and reconstructs them by stacking multiple components and introducing a composition of intersecting planes and volumes. Working with slab-built and press-molded components, he builds structures that evoke the logic of architecture - layered, modular, and precise.\u003c\/p\u003e\n\n\u003cp\u003eYet, in opposition to this precision, Cochrane’s works resist pure control. Subjected to the unpredictability of wood firing at 2400°F, the hard-edged geometry of a number of works is softened with rich colour and flame pattern. The resulting contrast between structural clarity and surface spontaneity reveals clay’s dual nature - rational yet responsive and architectural yet alive.\u003c\/p\u003e\n\n\u003cp\u003eWithin Constructed in Clay: Form and Structure, Cochrane’s practice embodies the exhibition’s central inquiry into how form is built, undone, and rebuilt and how structure and material engage in a continual negotiation between permanence and transformation.\u003c\/p\u003e\n","brand":"BRUCE COCHRANE","offers":[{"title":"Default Title","offer_id":51432402714933,"sku":null,"price":2323.5,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/IMG_0637_848f00df-5650-407e-ac42-cb243bdf69ea.jpg?v=1761181688"},{"product_id":"black-composite-vessel","title":"Black Composite Vessel","description":"\u003cp\u003eBruce Cochrane’s recent sculptural works have emerged from a lifelong dialogue with form, structure, and process. 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Drawing on a deep understanding of pottery’s anatomy, Cochrane deconstructs traditional forms and reconstructs them by stacking multiple components and introducing a composition of intersecting planes and volumes. Working with slab-built and press-molded components, he builds structures that evoke the logic of architecture - layered, modular, and precise.\u003c\/p\u003e\n\n\u003cp\u003eYet, in opposition to this precision, Cochrane’s works resist pure control. Subjected to the unpredictability of wood firing at 2400°F, the hard-edged geometry of a number of works is softened with rich colour and flame pattern. The resulting contrast between structural clarity and surface spontaneity reveals clay’s dual nature - rational yet responsive and architectural yet alive.\u003c\/p\u003e\n\n\u003cp\u003eWithin Constructed in Clay: Form and Structure, Cochrane’s practice embodies the exhibition’s central inquiry into how form is built, undone, and rebuilt and how structure and material engage in a continual negotiation between permanence and transformation.\u003c\/p\u003e\n","brand":"BRUCE COCHRANE","offers":[{"title":"Default Title","offer_id":51432402846005,"sku":null,"price":2235.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/VS_ArtTO_0036_1_2_2.jpg?v=1762131149"},{"product_id":"black-composite-wall-sculpture","title":"Black Composite Wall Sculpture","description":"\u003cp\u003eBruce Cochrane’s recent sculptural works have emerged from a lifelong dialogue with form, structure, and process. 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The resulting contrast between structural clarity and surface spontaneity reveals clay’s dual nature - rational yet responsive and architectural yet alive.\u003c\/p\u003e\n\u003cp\u003e\u003cimg\u003eWithin \"Constructed in Clay: Form and Structure\", Cochrane’s practice embodies the exhibition’s central inquiry into how form is built, undone, and rebuilt and how structure and material engage in a continual negotiation between permanence and transformation.\u003c\/p\u003e","brand":"BRUCE COCHRANE","offers":[{"title":"Default Title","offer_id":51432406974773,"sku":null,"price":2750.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/DSC_0017.jpg?v=1761182056"},{"product_id":"brick-by-brick","title":"Brick by Brick","description":"\u003cp\u003eIn \u003cem\u003eBrick by Brick\u003c\/em\u003e, the artist reimagines one of architecture’s most fundamental units, the brick, as both object and metaphor. The installation presents a set of slip-cast ceramic bricks suspended vertically, removed from utilitarian use, each offered as an object of aesthetic contemplation.\u003c\/p\u003e\n\u003cp\u003eFor Polubiec, the ceramic object, exemplified by the brick, stands at the threshold between architecture and geology. It is a fragment of earthen material shaped to the scale of the human hand and multiplied to build shelter, cities, and civilizations. By isolating the brick, the artist draws attention to its double nature: born of geological process yet central to human design. Taken together, the installation offers a vision of architecture returning to its mineral origins, where geological process and human design intersect across vast expanses of time. The work becomes a meditation on the continuous cycle between the natural and the constructed, the base unit and the transcendent.\u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eBrick by Brick\u003c\/em\u003e recalls the beginning act of building, a metaphor for striving toward something larger than oneself. Each brick marks a step in that process—incremental and deliberate. The project also serves as a personal metaphor: it is Polubiec’s first major work developed in his own studio following his formal training in craft and design, marking the start of a new chapter for his practice and career.\u003c\/p\u003e","brand":"MICHAEL POLUBIEC","offers":[{"title":"Default Title","offer_id":51432418672949,"sku":null,"price":3572.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/IMG_7456.jpg?v=1761187359"},{"product_id":"standard-single-1","title":"Standard Single I","description":"\u003cp\u003eIn this series the artist transforms the materials of everyday life and personal history into enduring ceramic form. Using her son’s old toddler bed as the basis for moulds, she reconfigures objects once central to domestic and emotional space into new sculptural structures.\u003c\/p\u003e\n\u003cp\u003eThe bed, a site of care and transition, embodies both intimacy and distance: a place where parents read, comfort, and eventually withdraw as a child grows and asserts independence. It is a threshold space, both architectural and emotional, where enclosure gives way to expansion, and the familiar transforms.\u003c\/p\u003e","brand":"NATASCHA MADEISKI","offers":[{"title":"Default Title","offer_id":51432420147509,"sku":null,"price":1610.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/StandardSingleI_1.jpg?v=1761182693"},{"product_id":"standard-single-2","title":"Standard Single II","description":"\u003cp\u003eIn this series the artist transforms the materials of everyday life and personal history into enduring ceramic form. Using her son’s old toddler bed as the basis for moulds, she reconfigures objects once central to domestic and emotional space into new sculptural structures.\u003c\/p\u003e\n\u003cp\u003eThe bed, a site of care and transition, embodies both intimacy and distance: a place where parents read, comfort, and eventually withdraw as a child grows and asserts independence. It is a threshold space, both architectural and emotional, where enclosure gives way to expansion, and the familiar transforms.\u003c\/p\u003e","brand":"NATASCHA MADEISKI","offers":[{"title":"Default Title","offer_id":51432420802869,"sku":null,"price":2860.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/StandardSingleII_1.jpg?v=1761182865"},{"product_id":"large-moss-vessel","title":"Large Moss Vessel","description":"\u003cp\u003eIn this series the artist transforms the materials of everyday life and personal history into enduring ceramic form. Using her son’s old toddler bed as the basis for moulds, she reconfigures objects once central to domestic and emotional space into new sculptural structures.\u003c\/p\u003e\n\u003cp\u003eThe bed, a site of care and transition, embodies both intimacy and distance: a place where parents read, comfort, and eventually withdraw as a child grows and asserts independence. It is a threshold space, both architectural and emotional, where enclosure gives way to expansion, and the familiar transforms.\u003c\/p\u003e","brand":"NATASCHA MADEISKI","offers":[{"title":"Default Title","offer_id":51432421294389,"sku":null,"price":3950.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/VS_ArtTO_0021_1_3.jpg?v=1761408334"},{"product_id":"shattered-memories-no-3","title":"Shattered Memories No. 3","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKaryn Gabriel’s works explore the elemental structures underlying both craft and architecture, translating forms rooted in basketry, textile, and architectural frameworks into contemporary ceramic sculpture. By paring back shapes to their essence, Gabriel exposes the skeletal logic of structure; columns, supports, and grids, while allowing surfaces and patterns to shift, fragment, and evolve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHer work explores the dialogue between containment and openness. The forms feel both solid and porous, revealing their internal scaffolding and celebrating the underlying patterns and structures that often go unnoticed beneath the surface. Repetition and methodical sequencing create rhythm and coherence, echoing architectural and craft practices and creating a rich complexity in the simplest of forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClay’s responsiveness amplifies this interplay, recording gesture and guiding form, balancing permanence with fragility. Through this process, Gabriel illuminates the connective tissue between structure, pattern, and space, offering a contemplative reflection on how we inhabit, construct, and perceive both built and natural worlds.\u003c\/span\u003e\u003c\/p\u003e","brand":"KARYN GABRIEL","offers":[{"title":"Default Title","offer_id":51432427225397,"sku":null,"price":3900.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/ShatteredMemoriesNo.3_1.jpg?v=1761183720"},{"product_id":"folly-sabbe","title":"Sabbe from the Folly Series","description":"\u003cp\u003eAlthough the artist often refers to her stacked ceramic sculptures with the nickname ‘totems’, the series is actually called ‘The Follies’. It references a text written by the 16 th century writer Erasmus – In Praise of Folly (Translation by John Wilson). ‘Folly praises herself endlessly arguing that life would be dull and distasteful without her”.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNicola see the ‘Follies’ as an accumulation of thrown pots, stacked up high into a non-designed tower of glazed vessels that aspire to reach beyond their usual domestic purpose. The domestic pot occupies the realm of the quiet or unheard, they accumulate in the back of kitchen cupboards, piled up for storage in ever diminishing space. But as stacked structures they move from their functional purpose of containing and enclosing space to inhabiting and intervening in it.\u003c\/p\u003e\n\u003cp\u003eNicola Tassie’s work occupies a compelling intersection between the functional and the conceptual. Drawing on centuries-old pottery traditions, she transforms familiar domestic forms into sculptural compositions that question the boundaries between vessel and sculpture, use and meaning. Her Totem series, which has developed and expanded over time, began with the stacking of domestic vessels into fragile vertical towers, referencing both interior domestic scenes and exterior landscapes, such as stone walls or cairns, structures assembled through repetition and touch. These Totems have become more abstract over time and continue to challenge the expected domestic domain of studio ceramics and suggest ideas of containment and aspiration.\u003c\/p\u003e\n\u003cp\u003eThrough Tassie’s work, we are invited to consider how the spaces and structures we build, both social and architectural, mirror the systems, hierarchies, and values of their time. Just as architecture records the\u003cimg\u003e priorities and tensions of a culture, her stacked forms evoke the precarious balance of the domestic and the societal, the individual and the collective. The Totems become metaphors for how we construct meaning, identity, and belonging through material and form. In this way, her work resonates deeply with \u003cem\u003eConstructed in Clay\u003c\/em\u003e’s central inquiry: how acts of making reflect the structures, both physical and ideological, that shape contemporary life.\u003c\/p\u003e","brand":"NICOLA TASSIE","offers":[{"title":"Default Title","offer_id":51432430076213,"sku":null,"price":10600.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/IMG_7922.jpg?v=1763500441"},{"product_id":"folly-albunea","title":"Albunea from the Folly Series","description":"\u003cp\u003eAlthough the artist often refers to her stacked ceramic sculptures with the nickname ‘totems’, the series is actually called ‘The Follies’. It references a text written by the 16 th century writer Erasmus – In Praise of Folly (Translation by John Wilson). ‘Folly praises herself endlessly arguing that life would be dull and distasteful without her”.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNicola see the ‘Follies’ as an accumulation of thrown pots, stacked up high into a non-designed tower of glazed vessels that aspire to reach beyond their usual domestic purpose. The domestic pot occupies the realm of the quiet or unheard, they accumulate in the back of kitchen cupboards, piled up for storage in ever diminishing space. But as stacked structures they move from their functional purpose of containing and enclosing space to inhabiting and intervening in it.\u003c\/p\u003e\n\u003cp\u003eNicola Tassie’s work occupies a compelling intersection between the functional and the conceptual. Drawing on centuries-old pottery traditions, she transforms familiar domestic forms into sculptural compositions that question the boundaries between vessel and sculpture, use and meaning. Her Totem series, which has developed and expanded over time, began with the stacking of domestic vessels into fragile vertical towers, referencing both interior domestic scenes and exterior landscapes, such as stone walls or cairns, structures assembled through repetition and touch. These Totems have become more abstract over time and continue to challenge the expected domestic domain of studio ceramics and suggest ideas of containment and aspiration.\u003c\/p\u003e\n\u003cp\u003eThrough Tassie’s work, we are invited to consider how the spaces and structures we build, both social and architectural, mirror the systems, hierarchies, and values of their time. Just as architecture records the\u003cimg\u003e priorities and tensions of a culture, her stacked forms evoke the precarious balance of the domestic and the societal, the individual and the collective. The Totems become metaphors for how we construct meaning, identity, and belonging through material and form. In this way, her work resonates deeply with \u003cem\u003eConstructed in Clay\u003c\/em\u003e’s central inquiry: how acts of making reflect the structures, both physical and ideological, that shape contemporary life.\u003c\/p\u003e","brand":"NICOLA TASSIE","offers":[{"title":"Default Title","offer_id":51432431124789,"sku":null,"price":10600.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/IMG_7924.jpg?v=1763500499"},{"product_id":"folly-pythia","title":"Pythia from the Folly Series","description":"\u003cp\u003eAlthough the artist often refers to her stacked ceramic sculptures with the nickname ‘totems’, the series is actually called ‘The Follies’. It references a text written by the 16 th century writer Erasmus – In Praise of Folly (Translation by John Wilson). ‘Folly praises herself endlessly arguing that life would be dull and distasteful without her”.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNicola see the ‘Follies’ as an accumulation of thrown pots, stacked up high into a non-designed tower of glazed vessels that aspire to reach beyond their usual domestic purpose. The domestic pot occupies the realm of the quiet or unheard, they accumulate in the back of kitchen cupboards, piled up for storage in ever diminishing space. But as stacked structures they move from their functional purpose of containing and enclosing space to inhabiting and intervening in it.\u003c\/p\u003e\n\u003cp\u003eNicola Tassie’s work occupies a compelling intersection between the functional and the conceptual. Drawing on centuries-old pottery traditions, she transforms familiar domestic forms into sculptural compositions that question the boundaries between vessel and sculpture, use and meaning. Her Totem series, which has developed and expanded over time, began with the stacking of domestic vessels into fragile vertical towers, referencing both interior domestic scenes and exterior landscapes, such as stone walls or cairns, structures assembled through repetition and touch. These Totems have become more abstract over time and continue to challenge the expected domestic domain of studio ceramics and suggest ideas of containment and aspiration.\u003c\/p\u003e\n\u003cp\u003eThrough Tassie’s work, we are invited to consider how the spaces and structures we build, both social and architectural, mirror the systems, hierarchies, and values of their time. Just as architecture records the\u003cimg\u003e priorities and tensions of a culture, her stacked forms evoke the precarious balance of the domestic and the societal, the individual and the collective. The Totems become metaphors for how we construct meaning, identity, and belonging through material and form. In this way, her work resonates deeply with \u003cem\u003eConstructed in Clay\u003c\/em\u003e’s central inquiry: how acts of making reflect the structures, both physical and ideological, that shape contemporary life.\u003c\/p\u003e","brand":"NICOLA TASSIE","offers":[{"title":"Default Title","offer_id":51432431747381,"sku":null,"price":5350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/IMG_7925.jpg?v=1763500551"},{"product_id":"composite-wall-sculpture","title":"Composite Wall Sculpture","description":"\u003cp\u003eBruce Cochrane’s recent sculptural works have emerged from a lifelong dialogue with form, structure, and process. Drawing on a deep understanding of pottery’s anatomy, Cochrane deconstructs traditional forms and reconstructs them by stacking multiple components and introducing a composition of intersecting planes and volumes. 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