{"title":"JESS RIVA COOPER","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eARTIST STATEMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eI approach clay as something alive—always shifting, breaking apart, and coming back together. I handbuild and reuse fragments from earlier sculptures, giving them another life in new forms. These hybrids don’t sit neatly within boundaries; they press against the very idea of containment. Instead of closing or concealing, my sculptures feel porous and unsettled, as if what’s inside can’t help but spill out, multiply, or change.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFor me, containment is never permanent but always provisional. Clay remembers touch, pressure, and breakage, and in my hands it also carries the story of repair and reclamation. Each piece carries forward what came before, altered but not erased.\u003c\/p\u003e","products":[{"product_id":"balanced-at-the-space-between-spectacle-and-pathway","title":"Balanced at the Space Between Spectacle and Pathway","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe questions of What Holds resonates closely within my practice. I approach clay as \u003c\/span\u003e\u003cspan\u003esomething alive—always shifting, breaking apart, and coming back together. I handbuild and \u003c\/span\u003e\u003cspan\u003ereuse fragments from earlier sculptures, giving them another life in new forms. These hybrids don’t sit neatly within boundaries; they press against the very idea of containment. Instead of closing or concealing, my sculptures feel porous and unsettled, as if what’s inside can’t help but spill out, multiply, or change.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor me, containment is never permanent but always provisional. Clay remembers touch, \u003c\/span\u003e\u003cspan\u003epressure, and breakage, and in my hands it also carries the story of repair and reclamation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece carries forward what came before, altered but not erased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003ePhoto credit: Selina Whittaker Photography\u003c\/em\u003e\u003c\/p\u003e","brand":"JESS RIVA COOPER","offers":[{"title":"Default Title","offer_id":51338463478069,"sku":null,"price":2000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/JessRivaCooper-Balancedatthespace-65.jpg?v=1758587124"},{"product_id":"nothing-holds-in-the-green-hour","title":"Nothing Holds in the Green Hour","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe questions of What Holds resonates closely within my practice. I approach clay as \u003c\/span\u003e\u003cspan\u003esomething alive—always shifting, breaking apart, and coming back together. I handbuild and \u003c\/span\u003e\u003cspan\u003ereuse fragments from earlier sculptures, giving them another life in new forms. These hybrids don’t sit neatly within boundaries; they press against the very idea of containment. Instead of closing or concealing, my sculptures feel porous and unsettled, as if what’s inside can’t help but spill out, multiply, or change.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor me, containment is never permanent but always provisional. Clay remembers touch, \u003c\/span\u003e\u003cspan\u003epressure, and breakage, and in my hands it also carries the story of repair and reclamation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece carries forward what came before, altered but not erased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003ePhoto credit: Selina Whittaker Photography\u003c\/em\u003e\u003c\/p\u003e","brand":"JESS RIVA COOPER","offers":[{"title":"Default Title","offer_id":51338463707445,"sku":null,"price":864.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/06jessrivacooper_SelinaWhittakerPhotography.jpg?v=1758587154"},{"product_id":"loose-threads-and-palimpsests","title":"Loose Threads and Palimpsests","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe questions of What Holds resonates closely within my practice. I approach clay as \u003c\/span\u003e\u003cspan\u003esomething alive—always shifting, breaking apart, and coming back together. I hand build and \u003c\/span\u003e\u003cspan\u003ereuse fragments from earlier sculptures, giving them another life in new forms. These hybrids don’t sit neatly within boundaries; they press against the very idea of containment. Instead of closing or concealing, my sculptures feel porous and unsettled, as if what’s inside can’t help but spill out, multiply, or change.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor me, containment is never permanent but always provisional. Clay remembers touch, \u003c\/span\u003e\u003cspan\u003epressure, and breakage, and in my hands it also carries the story of repair and reclamation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece carries forward what came before, altered but not erased.\u003c\/span\u003e\u003c\/p\u003e","brand":"JESS RIVA COOPER","offers":[{"title":"Default Title","offer_id":51345712152885,"sku":null,"price":2000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/IMG_6911_1_a1165585-4b3a-4157-82e1-74bde4b21992.jpg?v=1758766708"},{"product_id":"loose-threads-breaths-and-palimpsests","title":"Loose Threads, Breaths, and Palimpsests","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe questions of What Holds resonates closely within my practice. I approach clay as \u003c\/span\u003e\u003cspan\u003esomething alive—always shifting, breaking apart, and coming back together. I hand build and \u003c\/span\u003e\u003cspan\u003ereuse fragments from earlier sculptures, giving them another life in new forms. These hybrids don’t sit neatly within boundaries; they press against the very idea of containment. Instead of closing or concealing, my sculptures feel porous and unsettled, as if what’s inside can’t help but spill out, multiply, or change.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor me, containment is never permanent but always provisional. Clay remembers touch, \u003c\/span\u003e\u003cspan\u003epressure, and breakage, and in my hands it also carries the story of repair and reclamation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece carries forward what came before, altered but not erased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003ePhoto credit: Selina Whittaker Photography\u003c\/em\u003e\u003c\/p\u003e","brand":"JESS RIVA COOPER","offers":[{"title":"Default Title","offer_id":51345712415029,"sku":null,"price":1500.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/files\/IMG_7141_2_46a675e2-519e-480f-acca-ef569b8f3c11.jpg?v=1758767199"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5798\/8661\/collections\/08portrait_JessRivaCooper_SelinaWhittakerPhotography_1.jpg?v=1778963161","url":"https:\/\/vesselsandsticks.com\/collections\/jess-riva-cooper.oembed","provider":"Vessels + Sticks","version":"1.0","type":"link"}