Night

$2,576.00
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Sale price
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Glazed stoneware ceramic. 

These wall mounted stoneware paintings follow on from my ‘Stone’ series of smooth, thrown hollow forms. I was looking to put a bit more gesture and expression into my throwing style and to disrupt that perfect symmetry - a re-visit to my earlier practice as a painter. The glazes are painted on - usually a bad idea! -but I was hoping the kiln would give me unexpected melts and contaminations. The results have a kind of elemental, cosmic appearance, either interstellar or microbial in nature.

Dimensions: 12"W x 3"D

This artwork ships in 2 to 3 business days.

Available for local pick-up in Toronto.

NICOLA TASSIE

Night

2025

Description

Glazed stoneware ceramic. 

These wall mounted stoneware paintings follow on from my ‘Stone’ series of smooth, thrown hollow forms. I was looking to put a bit more gesture and expression into my throwing style and to disrupt that perfect symmetry - a re-visit to my earlier practice as a painter. The glazes are painted on - usually a bad idea! -but I was hoping the kiln would give me unexpected melts and contaminations. The results have a kind of elemental, cosmic appearance, either interstellar or microbial in nature.

About The Artist

ARTIST STATEMENT

Nicola Tassie describes herself as a potter but her work incorporates thrown tableware, wall based projections, and large scale sculpture installations. Rather than sitting in opposition to each other these disparate strands coexist in a continuous loop of exchange, evolution and inquiry.  Ideas of utility exist as both concept and practice. Her Lighting series consists of lamps as sculptures, and as functioning designs. Surface effects and processes transition seamlessly from a sturdy jug onto a wall-mounted abstract ‘clay canvas’. Domestic ware forms are amalgamated into composite sculptures that are either stacked into tall multi-glazed towers or sit horizontally, echoing landscaped pathways or ‘stone walls’, literally and figuratively elevating everyday objects into totemic form. At the core her practice is a reimagining of the ordinary into the extraordinary. By synthesizing historical references, domestic objects and experimental processes, she asks what it means to work with the ancient medium of ceramics in the 21st century.

   

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